About Us

"After decades working within luxury fashion, I developed a deep sensitivity to materials — and to the stories objects carry. Over time, I began collecting rare vintage elements: fragments marked by craftsmanship, use, and memory. KUSTT emerged from this practice.
Not to reproduce — but to transform."

"After decades working within luxury fashion, I developed a deep sensitivity to materials — and to the stories objects carry. Over time, I began collecting rare vintage elements: fragments marked by craftsmanship, use, and memory.
KUSTT emerged from this practice.
Not to reproduce — but to transform."

L.Kuster - Founder and CEO of KUSTT

Laurence’s experience spans major luxury houses across Europe and the United States, including Louis Vuitton, Jimmy Choo, Agnona, Schiaparelli, and Karl Lagerfeld… This background informs KUSTT — not as a continuation of production, but as a departure from it.

KUSTT does not operate as a traditional brand. It is a practice built on transformation rather than production. In an industry driven by volume and newness, it works only with what already exists.

Laurence’s experience spans major luxury
houses across Europe and the United States
, including Louis Vuitton, Jimmy Choo,
Agnona, Schiaparelli, and Karl Lagerfeld…
This background informs KUSTT -
not as a continuation of production,
but as a departure from it.

KUSTT does not operate as a traditional brand.

It is a practice built on transformation
rather than production.

In an industry driven by volume and newness,
it works only with what already exists.

Laurence’s experience spans major luxury houses across Europe and the United States, including Louis Vuitton, Jimmy Choo, Agnona, Schiaparelli, and Karl Lagerfeld…
This background informs KUSTT -
not as a continuation of production,
but as a departure from it.

KUSTT does not operate as a traditional brand. It is a practice built on transformation
rather than production.

In an industry driven by volume and newness,
it works only with what already exists.

Through what she defines as the Art of Newcycling, existing materials

are not replaced or replicated.

They are reinterpreted, refined, and transformed into singular forms.

Each piece exists once.
Nothing is repeated.


AT KUSTT, we aren't manufacturers of new goods.

Our role is to explore, locate and unearth.


Synthesizing contemporary

methods with traditional craftmanship,

we deconstruct, contribute and evolve.

Every item is procured conscientiously, guaranteeing

that no fresh resources are generated

or squandered during the operation.


Our objective is to honour the allure intrinsic in

pre-existing raw materials by rejuvenating them,

espousing both sustainability and innovation

within every singular handbag.

Through what she defines as

the Art of Newcycling,

existing materials

are not replaced or replicated.

They are reinterpreted, refined, and

transformed into singular forms.

Each piece exists once.
Nothing is repeated.


AT KUSTT, we aren't manufacturers

of new goods.

Our role is to explore, locate and

unearth.

Synthesizing contemporary

methods with traditional

craftmanship,

we deconstruct, contribute and evolve.

Every item is procured conscientiously,

guaranteeingthat no fresh resources

are generated or squandered

during the operation.

Our objective is to honour the allure

intrinsic in

pre-existing raw materials by rejuvenating

them, espousing both sustainability and

innovation

within every singular handbag.

Through what she defines as the Art of Newcycling,

existing materials are not replaced or replicated.

They are reinterpreted, refined, and transformed into singular forms.

Each piece exists once.

Nothing is repeated.

AT KUSTT, we aren't manufacturers of new goods. Our role is to explore, locate and unearth. Synthesizing contemporary methods with traditional craftmanship,

we deconstruct, contribute and evolve.

Every item is procured conscientiously, guaranteeing that no fresh resources are generated or squandered during the operation.

Our objective is to honour the allure intrinsic in pre-existing raw materials by rejuvenating them, espousing both sustainability and innovation

within every singular handbag.

Each Piece Carries Its Own Record

Every KUSTT piece is accompanied by a sealed document — stitched beneath a transparent layer, and accessible only to its owner.
It traces the origin of the materials, the elements preserved or transformed, and the stages of its making.
At the moment of acquisition, the seal is opened.
The process is revealed.
What was hidden becomes personal.

Every creation carries a trace of its making.

Fragments are chosen, transformed, and brought together through a process that remains visible — though not entirely revealed.

Each piece is a dialogue between past and present.
Quietly shaped.
Deliberately made.
Never repeated.
Fragments of the past, made present.
Each Piece Carries Its Own Record
Every KUSTT piece is accompanied by a sealed document — stitched beneath a transparent layer, and accessible only to its owner.
It traces the origin of the materials, the elements preserved or transformed, and the stages of its making.
At the moment of acquisition, the seal is opened.
The process is revealed.
What was hidden becomes personal.

Every creation carries a trace of its making.
Fragments are chosen, transformed, and brought together through a process that remains visible — though not entirely revealed.

Each piece is a dialogue between past and present.
Quietly shaped.
Deliberately made.
Never repeated.
Fragments of the past, made present.
Each Piece Carries Its Own Record

Every KUSTT piece is accompanied by a sealed document — stitched beneath a transparent layer, and accessible only to its owner.
It traces the origin of the materials, the elements preserved or transformed, and the stages of its making.
At the moment of acquisition, the seal is opened.
The process is revealed.
What was hidden becomes personal.

Every creation carries a trace of its making.
Fragments are chosen, transformed, and .brought together through a process that remains visible — though not entirely revealed.

Each piece is a dialogue between past and present.
Quietly shaped.
Deliberately made.
Never repeated.
Fragments of the past, made present